Sunshine Cleaning

It’s odd seeing the usually glamorous pairing of Amy Adams and Emily Blunt as struggling sisters trying to cope with an eccentric father and messy personal lives. Although the plot does meander through to a predictable conclusion, you are never less than utterly drawn into their world and in return the two leads give superb performances proving just why they are amongst the best actors working in Hollywood today.

Rose Lorkowski (Amy Adams) is intent on getting her son into private school. She struggles making a living as a domestic cleaner but following a tip-off from her lover (Steven Zahn) she decides to move into the Crime Scene biohazard removal business. Rose’s unreliable sister Norah (Blunt) has also recently lost her job and so is persuaded to join Rose to make some extra money. The sisters realise they are in some way helping people over come loss and whilst finding meaning in their jobs it soon dawns on them that they have yet to overcome the personal tragedy that has formed their own lives. Having looked after his daughters for so long, Joe Lorkowski (Alan Arkin) has grown restless and is constantly trying to make a quick buck from scams and unlikely deals. Rose feels she has had to look after her younger sister and struggles to trust her with the business leading to an inevitable showdown between them.

Adams and Blunt were last seen in Doubt and Young Victoria respectively (we’re trying hard to forget about Night at the Museum, so no need to bring that up) giving great performances in weighty costume dramas. Sunshine Cleaning in its own way is just as weighty, with the contemporary nature of the characters making this arguably more appealing. Norah’s ‘emo’ infused depression and Rose’s struggles to bring up her son whilst trying to maintain a relationship with a married man might pain broad strokes with our expectations but eventually the story focuses on the fractured relationship between the siblings. This is the core strength of the film, especially when overseen by Arkin’s caring but erratic family patriarch.

It could have been much ado about nothing, yet the screenplay (by first-timer Megan Holley) manages to find emotion in the most unlikely manner. Even more surprising is the dark humour which runs through the story but never seems out of place. The ending (which we won’t ruin) does a great job of wrapping things up with the film never feeling too long or dragging in some of its quieter moments.

Rating: ****

Starring: Amy Adams, Emily Blunt, Alan Arkin, Jason Spevack and Steve Zahn
Director: Christine Jeffs
Writer: Megan Holley
Release date: June 26th
Certificate: 15

Review by Cassam Looch